I am interested in moments of meaningful human contact – times when 
the psychological impact of a space, meeting, or occurrence far 
exceeds the importance of the event having taken place. I have found 
that these instances happen in situations that allow for creativity 
and play, and thus, the foundation of my work occupies both ends of 
the möbius strip of art-making. Anchored by my own process of object 
production on one end and the viewer’s performance of the work on the 
other, this process is often collaborative, relational, and participatory. 
Taking into account the psychogeography of the spaces that I create, 
my work spans media and disciplines to examine perceptual phenomena 
during social situations. My installations are laboratories to investigate 
the persisting roles of wonder and mystery of humanity in contemporary 
art practice.